The problems associated with early live recordings of bands, particularly Rock bands, of the 60's, had mostly to do with the limitations of technology brought on by PA systems just not being able to handle the level of sound. It was very rare for an engineer at the time to actually record a band performance because, again, the limitations of technology and portable equipment were in their infancy. So a lot of early performance recordings were done by people in the audience, using battery powered reel-to-reel machines that were small enough to carry around on your shoulder, a microphone stuck in front of a stage speaker and hoping for the best because you couldn't hear anything once the band got started. And that's how the Bootleg industry was born.

Or, the local radio outlet would send a recording team and a truck loaded with equipment parked outside the venue and sometimes their own Sound system, and a decent recording was made and everybody was happy. Sometimes the band would release that live performance as an album and then the record company was happy. As time went on the technology evolved and companies such as the forward thinking Tychobrahe pioneered concert sound and the world was happy.

This weekend's Backstage is a performance that was recorded by one of those radio outlets. Sveriges Radio, the network in Sweden, sent a team to record the newly formed Traffic, who were performing in Stockholm in September of 1967.

Here is what you'll be hearing:

Traffic - Stockholm - Sept 12, 1967
Sveriges Radio

1. Giving To You
2. Smiling Phases
3. Coloured Rain
4. Hole In My Shoe
5. Feelin' Alright
6. Paper Sun
7. Dear Mr. Fantasy

Line up: Steve Winwood Dave Mason Chris Wood Jim Capaldi

Traffic during their exciting, formative period. Around the time their first album was released.

The sound is surprisingly good but a little quiet in places (particularly during announcements). But for a historic document, a wonderful glimpse into a band that went on to become a legend in Rock, whose music is still enjoyed and discovered by new fans, this is quite amazing.

Enjoy.

(Traffic - at the turning point)

After their first breakup in 1969, with Steve Winwood going off to the legendary and short-lived Blind Faith, Traffic reunited in 1970 and turned out one of the milestone albums of the 70's. John Barleycorn Must Die was a huge change in direction for Traffic. With Dave Mason departing in 1968, the Pop influence they had come to be known for had been taken over by a mature, musically adventuresome outfit. Now a three-piece, with Chris Wood still on sax and flute and Jim Capaldi still on drums and percussion, this tighter unit achieved greater strides in their musical direction, melding Jazz into the mix. John Barleycorn was a critical and commercial success and established Traffic as one of the major bands coming out of the 60's into the new decade.

This track is actually two songs. Glad and Freedom Rider were always played together as one song anyway. So rather than break the flow, I've joined them together and present them just as you would have heard them if you had this album on your turntable at home . . .and it was 1970. And it was Saturday Night. And you were staring off into space. And you were preoccupied. And it was dark. And you didn't want to break the mood. And you've been trying to get him/her to your place all month.

Forty years later, it still sounds fresh.