By the time the 1970's rolled around, a new and experimental phase of Rock that began life as a hybrid between Psychedelia, Classical and Free-form Jazz in the 60's, burst on the scene and took Europe by storm. In the States, it took a while. Shrugged off in the American press as pretentious, sterile and overly-intellectual, the genre had to find its audience by almost by word-of-mouth.

With such bands as Yes, The Nice (in the later 60's) and Emerson, Lake and Palmer, inroads were made that bridged the gap between a skeptical press and an eager audience. But still, the overwhelming majority of bands in the Prog-Rock genre were the exclusive property of "that" side of the Atlantic.

Genesis had been around since the late 1960's. With one early album (From Genesis To Revelation) showing promise, but lacking that winning spark. They eventually signed with Charisma Records, founded by former Manager-turned Label owner Tony Stratton-Smith and their fortunes soon changed. Getting a word of mouth and popularity in England and all over Europe (especially in Italy), they secured a license deal with Dunhill Records in the U.S. - they had made one or two brief tours of the U.S., primarily in the Northeast and, almost unbeknownst to the U.S. record industry, Genesis were gaining a huge popularity. When Charisma struck a label deal with Atlantic, and their maiden album with the new arrangement, Selling England By The Pound was released in 1973, Genesis took the record industry big-wigs completely by surprise and sold out every venue they were booked in during their first cross-country U.S. tour. Word-of-mouth paid off with dividends.

Tonight it's the opening track from that milestone album, Dancing With The Moonlit Knight.

Maybe you remember it - and maybe you've never heard it before.

Pull up a chair and have a listen for the next seven minutes.

(Capability Brown - GREAT singles. But albums . . . . well . . .)

Capability Brown were one of those bands who had all the elements of being great. Amazing vocal harmonies, good instrumental licks, great up-and-coming label (Charisma came about as the brainchild of former manager of the bands Creation, Bonzo Dog and The Nice Tony Stratton-Smith) with lots of positive Press. And Capability Brown had a couple of great singles, like this one "Windfall".

But when it came to putting an album together, that was another story. The material was just bland and not well produced. And that spelled disaster for anyone trying at the high-stakes rock n' roll game and perplexity for reviewers who were anticipating their albums, based on the positive reaction to their singles.

Like I said, the singles were another story - and "Windfall" was everything the albums weren't. Capability Brown is largely forgotten now. their first album never issued on CD and their second album issued briefly on CD in Japan and the singles only issued as part of anniversary compilation in 1973. By that time the band had split and Charisma was reaping the benefits of Genesis.