(Phil Lynott of Thin Lizzy - a word or two about live albums in 1978)

Tonight we're going to start what I hope will be another regular weekend feature: Newstalgia Pop Chronicles. The idea came about largely as the result of discovering a huge stash of recorded interviews and interview programs in the vault, pretty much untouched the last twenty years. They comprise primarily of figures from the Pop music world (including Rock, Jazz, Folk and just about everything in between) talking about their lives and their work. The sources run the gamut but the main emphasis is on our popular culture. Some people will be very familiar and others will probably need reminding as to who they are and what their contributions were. Some have long since left the scene while others are caught at the very beginnings of their careers. But all of it represents a slice of cultural history and hopefully some enjoyable weekend listening and a break from Weekend talk shows (even for a few minutes).

So tonight we're starting off with a weekly series produced by the BBC called Rock Capsule. This one is for the week of July 3-9, 1978 and features interviews with David Gilmour, Phil Lynott, Fee Waybill and Steve Hackett.

As always, if you like it we'll keep it going. It should be interesting.

I ran a Genesis track earlier this week on the Roundtable. It was a studio/session of Twilight Alehouse, also from 1972. This weekend's concert is from London, via The BBC and features the original lineup of Genesis with Peter Gabriel.

So here's the rundown of what you'll be hearing:

Genesis – Live In Concert At The BBC – 1972

1. The Fountain of Salmacis
2. The Musical Box
3. The Return Of The Giant Hogweed
4. Get ‘em Out By Friday
5. Watcher Of The Skies

I added session versions of Get 'em Out By Friday and Watcher Of The Skies at the end. They were originally from the Twilight Alehouse session I played earlier this week.

Enjoy and Happy Mothers Day to all you moms and mom-wannabes.

By the time the 1970's rolled around, a new and experimental phase of Rock that began life as a hybrid between Psychedelia, Classical and Free-form Jazz in the 60's, burst on the scene and took Europe by storm. In the States, it took a while. Shrugged off in the American press as pretentious, sterile and overly-intellectual, the genre had to find its audience by almost by word-of-mouth.

With such bands as Yes, The Nice (in the later 60's) and Emerson, Lake and Palmer, inroads were made that bridged the gap between a skeptical press and an eager audience. But still, the overwhelming majority of bands in the Prog-Rock genre were the exclusive property of "that" side of the Atlantic.

Genesis had been around since the late 1960's. With one early album (From Genesis To Revelation) showing promise, but lacking that winning spark. They eventually signed with Charisma Records, founded by former Manager-turned Label owner Tony Stratton-Smith and their fortunes soon changed. Getting a word of mouth and popularity in England and all over Europe (especially in Italy), they secured a license deal with Dunhill Records in the U.S. - they had made one or two brief tours of the U.S., primarily in the Northeast and, almost unbeknownst to the U.S. record industry, Genesis were gaining a huge popularity. When Charisma struck a label deal with Atlantic, and their maiden album with the new arrangement, Selling England By The Pound was released in 1973, Genesis took the record industry big-wigs completely by surprise and sold out every venue they were booked in during their first cross-country U.S. tour. Word-of-mouth paid off with dividends.

Tonight it's the opening track from that milestone album, Dancing With The Moonlit Knight.

Maybe you remember it - and maybe you've never heard it before.

Pull up a chair and have a listen for the next seven minutes.

Genesis tonight, when Peter Gabriel was lead singer and the band were truly knee-deep in invention. Here they are, appearing live on the BBC program Top Gear on September 25, 1972, performing a non-lp single, Twilight Alehouse.

Perfect starter for the week.

Enjoy.

and that too . . .

Genesis tonight. Maybe not as you remember them, if you've become familiar with the band after Peter Gabriel left and around the time they became hit makers. This was an earlier incarnation of the band. Not as they were in the beginning when they were signed to Decca in 1968, but that early-middle period before Phil Collins joined and when they were first signed to Charisma Records, the label responsible for much of what became known as Prog-Rock in the UK. in the early 1970's

Trespass was their first album with the new label, released in October of 1970 to good reviews but not good sales in the UK. They did hit almost instantly in Europe where their influence would be felt for many years, if not decades later. Trespass was something of a transition and a honing of what would become their trademark sound. Shortly after the album was recorded there would be some personnel changes, among the most notable would be the replacement of their drummer, the late John Mayhew with former child actor and drummer for Flaming Youth Phil Collins as well as replacement of guitarist Anthony Phillips with first, Mick Barnard and then Steve Hackett.

Tonights track, Looking For Someone, opens the album and gives some hint of what would be going on with their musical direction by their next album, Nursery Cryme. It would be the beginning of what came to be known as The Classic Era for Genesis.

(Genesis' Peter Gabriel during his Flower Period)

Taking a break from the unfamiliar tonight and heading into some familiar territory with one of the more celebrated proponents of the Prog-Rock movement of the 1970s; Genesis. The early 70's would come to be known as the Classic Genesis lineup with Peter Gabriel fronting the band as well as Steve Hackett on guitar, in addition to Mike Rutherford, Tony Banks and Phil Collins. They turned out several milestone albums during that period including this one, Selling England By The Pound from which tonight's track Firth of Fifth comes.

A little something to jog your memory tonight. Maybe send it racing.

(Capability Brown - GREAT singles. But albums . . . . well . . .)

Capability Brown were one of those bands who had all the elements of being great. Amazing vocal harmonies, good instrumental licks, great up-and-coming label (Charisma came about as the brainchild of former manager of the bands Creation, Bonzo Dog and The Nice Tony Stratton-Smith) with lots of positive Press. And Capability Brown had a couple of great singles, like this one "Windfall".

But when it came to putting an album together, that was another story. The material was just bland and not well produced. And that spelled disaster for anyone trying at the high-stakes rock n' roll game and perplexity for reviewers who were anticipating their albums, based on the positive reaction to their singles.

Like I said, the singles were another story - and "Windfall" was everything the albums weren't. Capability Brown is largely forgotten now. their first album never issued on CD and their second album issued briefly on CD in Japan and the singles only issued as part of anniversary compilation in 1973. By that time the band had split and Charisma was reaping the benefits of Genesis.